Lessons_1-5

Stylized forms found in nature.

T'nalak is a traditional cloth from Lake Sebu, Cotabato, made of abaca fibers and natural dyes.

Colors that oppose each other in the color wheel.

Mainly for cooking.

Red, blue, yellow.

The middle class that prospered from trade and the opening of the Suez Canal.

The gradual change of hue from lightest to darkest.

Thick, thin, vertical, horizontal, zigzag, curved, or diagonal.

A secondary burial jar from the Neolithic period, reflecting beliefs in the afterlife.

Storage for drinking water.

Patterns such as kleng (crab), gmayaw (bird in flight), tofi (frog), and sawao (snake skin).

Organic forms found in nature.

The relationship of each element to one another inside the artwork.

The relationship of each element to one another.

Tapestry panels woven by the Maranao, which can be made into colorful malong.

It affects the reception and meaning-making of a work of art.

Balance, firmness, strength, and dignity.

Graffiti and street art.

Durable materials that can withstand typhoons and earthquakes.

They serve a reverence for spirits and nature, reflect beauty criteria, and sociopolitical structures.

Unequal or uneven sides in the composition.

It leads to more critical understanding and fairer evaluation.

Actual texture (feel the material) and simulated texture (implied on a flat surface).

The accessibility of cameras allowed for more affordable portrait capturing.

It combines both form (the pabalat design) and function, holding value for the community.

Will, power, and energy.

Two-dimensional shapes have height and width, while three-dimensional shapes have height, width, and volume.

The property of color that distinguishes it from another color.

A textile woven by the Tausug, traditionally used as a headcloth by Tausug men.

Jewelry served as amulets and charms for protection from evil spirits and to bestow power.

It reflects the craftsmanship and cultural significance of the objects.

Shorter wavelengths (blue, violet).

Indigenous dances may imitate movements found in nature, such as pangalay resembling sea birds.

The purity and intensity of the color.

Symmetrical balance where both sides mirror each other or have very minor variation.

It combines both form and function, reflecting burial practices.

Factors such as age, gender, location, culture, resources, and training can affect art production.

Shapes can be classified as geometric, biomorphic, or free shapes.

Lost wax or cire perdue technique.

Art that implies or actualizes movement, often seen in three-dimensional sculptures.

A pioneer of modern art in the Philippines, known for 'The Sketch' (1928).

It is considered a granary god and an ancestral figure, part of their ritual practices.

Palayok, banga, tapayan, and asinan.

It represents deforestation through an installation of free stumps.

Concepts, values, and feelings.

Their art was both aesthetic and utilitarian, integrated into everyday life and communal activities.

They are secondary burial jars with lids featuring heads with varying facial expressions.

Longer wavelengths (red, orange, yellow).

External factors influence art production, such as technological advancements and economic conditions.

Backstrap loom or pedal loom.

Geometric patterns that give an illusion of water, made in the towns of Ilocos.

It refers to the Visayas, known for its tattooed inhabitants.

Incision, stippling, applique, openwork, and impression by rope and mat.

Used for fermentation.

Green.

Understanding audience reception helps in appreciating the work's impact and meaning.

A technique of using light and shadow to define three-dimensional objects.

Approximately late 1890s to late 1960s.

It signifies fertility.

Storing salt.

Shapes that can be rectilinear or curvilinear.

Line, color, value, texture, form and shape, composition in space, and movement.

Editing arranges different scenes to create a meaningful narrative.

Two different periods in art history.

Art produced by an artist living today.

Created by the artist and do not have to be exclusively geometric or biomorphic; more predominant in abstract art.

Cotton, abaca, or pineapple leaves.

Art was interwoven in rituals from planting to harvesting, weddings, and funerals.

Lotoan (betel nut boxes), kendi (liquid containers), and gadur (containers).

Calmness, tranquility, and passivity.

Through alternating designs and repetitive motifs in a series.

Tattoos were permanent body ornamentations that protected against evil spirits and signified maturity and bravery.

Yes, they can share similarities in style and influences.